Skvot Mag

How Saturday Night Live Became Cult

Explaining why Americans — and the world — have been watching the show for 50 years.

Ukrainian company Respeecher creates voices for Hollywood. We spoke to them

A conversation about voice clones, ethics, and Adrien Brody’s Hungarian accent.

Director of The Brutalist Brady Corbet: «It’s hard to make a film about anything right now»

An interview with the team behind The Brutalist — a film of concrete and steel with 10 Oscar nominations.

Angelina Jolie: «The role in Maria required a different breath, a different body, a different strength, and a different trust»

Angelina Jolie and Pablo Larraín discuss their new film, Maria, the myths in biographies, death on stage, and why you can’t simply sing opera.

Choreographer of Emilia Pérez: «I Had to Invent an Alternative Language»

Damien Jalet on the insane circumstances, working with Jacques Audiard, and rehearsing a three-minute scene for three weeks.

Who is a film critic and how to become one

How to write about bad cinema, whether a film critic should be cynical, and what makes a good review.

Director of The Substance: «This film is about how women are forced to be delicate»

Coralie Fargeat on Ozempic, nudity scenes, and how Demi Moore got the lead role.

Simone Giampaolo: «I'm very much against perfection»

A BAFTA-nominated animation director — on "dirty" animation, working with Netflix, scenes that get cut from cartoons, and why he doesn't like Ratatouille.

How Sex Scenes Are Filmed in Movies and Videos

Intimacy сoordinator Tolu Oshodi on the nuances of the profession, advocating cast, and how a yoga mat helped film an oral sex.

The first digital Olympic team has been introduced in Ukraine. We spoke with its creators

The TEAMBBDO agency team discusses honoring athletes who died in the war, digital commemoration practices, and the positive side of artificial intelligence.