Skvot Mag
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Ukrainian company Respeecher creates voices for Hollywood. We spoke to them
A conversation about voice clones, ethics, and Adrien Brody’s Hungarian accent.
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Director of The Brutalist Brady Corbet: «It’s hard to make a film about anything right now»
An interview with the team behind The Brutalist — a film of concrete and steel with 10 Oscar nominations.
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Angelina Jolie: «The role in Maria required a different breath, a different body, a different strength, and a different trust»
Angelina Jolie and Pablo Larraín discuss their new film, Maria, the myths in biographies, death on stage, and why you can’t simply sing opera.
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Choreographer of Emilia Pérez: «I Had to Invent an Alternative Language»
Damien Jalet on the insane circumstances, working with Jacques Audiard, and rehearsing a three-minute scene for three weeks.
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Who is a film critic and how to become one
How to write about bad cinema, whether a film critic should be cynical, and what makes a good review.
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Director of The Substance: «This film is about how women are forced to be delicate»
Coralie Fargeat on Ozempic, nudity scenes, and how Demi Moore got the lead role.
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Simone Giampaolo: «I'm very much against perfection»
A BAFTA-nominated animation director — on "dirty" animation, working with Netflix, scenes that get cut from cartoons, and why he doesn't like Ratatouille.
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How Sex Scenes Are Filmed in Movies and Videos
Intimacy сoordinator Tolu Oshodi on the nuances of the profession, advocating cast, and how a yoga mat helped film an oral sex.
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«A24 Works for the Project, Not for Themselves»: An Interview with «MaXXXine» Creators Ti West and Mia Goth
Exclusively for Skvot Mag, the director and lead actress of the film discuss indie studios, the nature of horror, and conservative hypocrisy.
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How the miniseries Baby Reindeer was created — an interview with the DOP of Netflix new hit
Krzysztof Trojnar — on the obsession with Baby Reindeer, the superpower of streaming platforms, and the myths about commercial videos.