Online courses for a practical take on creative industries. Basics and skill sets for those who want to start quickly.
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BUILDING STRONG BRANDS IN CULTUREOnline lecture on leading strategy, inspiring creative teams, and bringing value to the world
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NO-BUDGET PORTFOLIOOnline lecture on how to present yourself and your ideas in the creative industry
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SUSTAINABILITY FOR PRODUCTS AND BRANDSLecture on what sustainability is: a marketing trend or an obligatory step for brands
![BUILDING STRONG BRANDS IN CULTURE](https://skvot-site-static.FRA1.digitaloceanspaces.com/io/uploads/landing_preview/preview-60e6b272228dd848424175-625988d313604111466902-62614d312e3ad371312784.png)
![NO-BUDGET PORTFOLIO](https://skvot-site-static.FRA1.digitaloceanspaces.com/io/uploads/landing_preview/1jhedyk4-62594b539958c152333099.png)
![SUSTAINABILITY FOR PRODUCTS AND BRANDS](https://skvot-site-static.FRA1.digitaloceanspaces.com/io/uploads/landing_preview/kurtsocial-615b05babf388762114793-62596a25e7a61076049051.jpg)
![SOON](https://skvot-site-static.FRA1.digitaloceanspaces.com/io/uploads/main/soon/2-65954805ad7f0326373415.png)
C/O
From Zero to Hero: GameDev Roadmap
COLLABORATION COURSES
Collaborations are original courses in SKVOT.
Methods, knowledge, and approaches from lecturers’ experience.
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The first digital Olympic team has been introduced in Ukraine. We spoke with its creators
The TEAMBBDO agency team discusses honoring athletes who died in the war, digital commemoration practices, and the positive side of artificial intelligence.
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How the miniseries Baby Reindeer was created — an interview with the DOP of Netflix new hit
Krzysztof Trojnar — on the obsession with Baby Reindeer, the superpower of streaming platforms, and the myths about commercial videos.
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How american product designer reinvented Instagram, Uber, and Tinder
An interview with Soren Iverson — discussing AR dating previews, a hybrid alarm clock and Figma, and the biggest sins of developers.
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How Agnieszka Holland shot a film about refugees on the border with Poland. We asked her
The director of Europa Europa and The Green Border talks about uncomfortable cinema, working with real-time events, and the Polish response to her new movie in an exclusive interview for Skvot Mag.